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guestservices) wrote in
suitedreams2022-06-12 08:30 am
Entry tags:
WEEK 0 - EXECUTION





W̴͍̎E̴̝̊E̸͚͝K̸͕̿ ZERO: EXECUTION
By now, you've all got to be expecting it. Time marches on, and as Sunday morning arrives, you'll find yourself rising from your bed around 9. It starts off as a gentle suggestion, a feeling that you're going to be late for something. Aren't you going to be late for something?
Whether you answer that call or not, eventually, you'll find yourself walking directly down to the lobby, to a room that has so far been locked. All of you stand in front of a pair of golden doors, blocked off by a red velvet rope.
There's a moment of silence, and then a strange clattering noise. The doors fly open, and you'll find that you're standing in a darkened room where rows and rows of blue velvet seats lead up to a stage. The stage in front of you is covered with a pair of matching, rich blue velvet curtains, emblazoned with the logo of the Starlight Hotel.
Welcome, everyone, to the Starlight Theater.
You'll find yourself feeling like you must sit. You can choose your seat, but every seat in the house in the Starlight Theater guarantees a perfect view of the stage - there's no hiding. Should you try to merely stand, you'll find a pair of hands on your shoulders, and your body will move along without your permission into a seat. For those of you looking at your less cooperative friend, you might see the figure walking them to their seat is skeletal in nature, almost dancing behind them as they're ushered into their seat.
In fact... The empty seats in the theater are already filled. Skeletons sit in each empty seat, but make no mistake, audience: they clatter and move around, excited. Some of them are holding popcorn. Some of them look at you, then at the screen, eager. Others raise their arms to flag something, or someone - shadowy ushers burst from the floor and provide refreshments - and skeletons pour drinks down their nonexistent throats and stomachs, slurping at straws in a way that should be impossible.
Eventually, the bone clattering stops, and a hush falls over the crowd. Looking around, you might have noticed that one of your own didn't make it to the theater - Sheila Hammond is not among you.
Perhaps she's backstage?
You don't get much time to think about it, though. The lights dim, and a pair of spotlights spin arches across the curtains, as somewhere, a drumroll plays.
Lights, camera, action!

N̸A̵V̴I̶G̶A̶T̴I̴O̸N̷.̷
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[She pulls a fountain pen out of a drawer, looking it over, and setting it aside momentarily.]
Do you want to talk about her? I don't mind hearing you out, if you want to do a little story time before we send you off.
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(What's this sensation of resentment? It's not appropriate to where he is. Harrowhark doesn't strike him as the type. Ah. Must be Hope. What's going on with that kid now?)]
What's there to say? It's been six hundred years since I saw her.
[Truthfully, he'd all but forgotten how she looked until recently. He remembers the day he first glimpsed the ghost of her face—a miraculous blessing that he didn't appreciate enough at the time.]
You weren't wrong to say that I abandoned her.
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Why, though? You were in a relationship. Did you not love her?
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But I was gone too long. The day I returned to the kingdom was the day of her wedding with my little brother.
[There's nothing but fondness in his heart for that moment. Pride wells. He remembers that he was proud of them for moving on.]
I remember that they both looked happy. So I left.
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[Slowly and carefully, she reaches over to put a hand on his shoulder. The one with his not fucked up hand.]
Sieghart, I'm so sorry. I take back, like, two thirds of all the bad stuff I said about you. That must have been so difficult.
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I was the one whose death they mourned. If it was difficult for anyone, it was them.
[The smile stretches into a grin.]
In any case, I couldn't live my mortal life after I was reborn as a Highlander. Even now, there's something I have to do. Let's get this over with, shall we?
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She nods, squeezing his shoulder once before pulling away.]
Okay. So... How about this? [Picking up the fountain pen, she gestures at the desk.] You lay your head down, I stab you through the ear, and drive this neat pen into your brain. It should be quick and relatively painless, so what do you say?
[Said so casually, like talking about stabbing a dude's brain is a totally normal thing.]
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Like this?
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Yeah, just like that. [She glances at the fountain pen again, and then at him, looking apologetic.] ... This would definitely be better with a knife, but they did not equip this office for murder. Sorry.
[Stretches a little, shakes her arms and legs like she's trying to psych herself up, and and then she lifts the pen above his head.]
Welp, here goes something.
[And with that, she stabs down through his ear!]
1/2
The pen swings down.]
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[Sieghart bolts upright, dead hand coming up to dangle uselessly by his assailed ear, with ink splattered all over the right side of his face. The force of his sudden movement knocks the chair back, sending it toppling onto the floor.
Tears prick at the corners of his eyes. Meanwhile, two thirds of the fountain pen sits firmly in Sheila's hand that Sieghart knocked away in his knee-jerk reaction to the pain.]
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[Sheila yeets the broken remains of the pen away, running over to grab him by the shoulders and inspect the damage.]
Sieghart, are you okay?! Did the tip snap off inside you?
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[His arm lowers. It's too deep for Sheila to be able to see, so he just answers:]
. . . It's still in my ear. I can't hear out of it anymore.
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Sorry! [Ughhhh, she gently nudges him towards the desk so he can lean against it.] Fuck, I should have gone for your eye... Usually, being bad at murder would be a good thing.
[Just. Mumbling! Stressed mumbling. Sorry to the shirtless teen in the audience.
Sheila will just start pulling the drawers out of the desk, turning them upside down to look for something else sharp or pointy — but there's nothing really there. Just more paper, envelopes, ink... But nothing as convenient as a letter opener.]
Ugh, I can't find anything... What should we do, hit you with the chair? That is so angry!
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We don't have much of a choice now, do we? Go and pick up the chair.
[Once she does, he'll drop down to crouch on the floor so that she can have access to his head.]
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This is so not going to work, but fine. Picking up the chair.
[And then she picks up the chair
and unceremoniously bashes it over his head.]
1/2
Agh!
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Use the typewriter!
1/2
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And then she picks up the typewriter and bashes that over Sieg's head, too.]
1/3
It's Sieghart's time to stare at the camera like he's on the office. He can't even cry out in pain at this point.]
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You've done enough. Sit down. I'll take care of this.
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and grips his shoulders.]
Sieghart, you are a very brave young man [he's older than her??] but you also have only one working hand and literally no part of this office is ADA compliant. Don't give up on me. I have one last idea.
[Her expression is solemn, like trying to murder him is a sacred pact she's made and now she's gotta go through with it. She gently squeezes his shoulders, trying to be comforting.
And then she abruptly picks him up bridal style, and throws the whole ass man out the window.
The camera pans out and— oh. Did we mention they're on the 20th floor of an office building? Well, now you know.]
1/2
[His eyes widen a smidgen at the sudden bridal carry, but he doesn't resist. What a sight he must make in Sheila's arms with ink, splinters, and mechanical bits all over his person. His ear hurts. His head throbs. His shoulders ache. Everything is in pain.
The window has been open this entire time. However, the weather outside shuts it just as Sieghart is thrown.]
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